Monday, March 12, 2012

Eric and Kerry's Memorial Wall


Eric Landman

I had the privilege to work along side this wonderful man yesterday on the spectacular wall that he and Kerry Landman's son Jordon are building in her memory. We took some of the scaffolding away at the end of the day so we could take this picture. We were gratified to see the design registering so clearly as a tree and the whole structure looking so impressive already.  Eric expects it should be completed in a few more weeks.


 Ashleigh laid flowers in the wall for her mother and covered them over with hearting stones.



Sunday, March 11, 2012

Finding words and walls



I find I'm always thinking with my hands, even in scrabble. I keep moving the letters around on the tile tray hoping to discover the perfect word. I think there is an element of this that is very much like walling.

There are certain occasions in scrabble when I feel sure that the seven random letters I have on my rack most definitely will go together to make a seven letter word (or even eight letter word on the board). There is this sense that the letters are all ripe and favourably assorted enough to probably even make several different seven letter words. And I'm usually right.

As a waller, looking at a pile of stones has to give you that same confidence, that there is a wall, a beautiful long wall in there somewhere. You just have to move the pieces around to find it.

This week, using scrabble tiles, I'd like to explore this theme a bit more.
--------------------------------------------


In the mean time you might like to check out a great book by David Griffiths about walling. It has some useful tidbits and insights. It may well be a kind of springboard of  inspiration for veteran wallers.




IN THERE SOMEWHERE

Publisher DSWA 1999; ISBN-0 9512306 5 4

Written and illustrated by DSWA member David Griffiths. Featuring Master Craftsman Steven Allen. 

Saturday, March 10, 2012

Stone Detectors

     
I predict one day all the great stones that have been buried by heavy machinery over the last fifty years will become very valuable - especially the lovely builder stones from all the Ontario barn foundations that were knocked down and covered over, the ones that took hours and hours to shape and square.


In the future stones of every shape and size which were once despised cleared away and buried by land developers will become so rare, people using specially designed 'stone detectors' will be swarming all over the countryside looking for these lost buried treasure stones. Then hopefully there will be so much of it rediscovered that it will become affordable again, just like the days when it lay in the uncleared farmer's fields..

All the squared stones which were deemed useless will then become available to a new generation of masons who will once again build structures like this reproduction blacksmith shop which we built in Uxbridge Ontario back in 1991.


Wallers will be able acquire truckloads of this natural material from special 'hardsquare stores' and 'stone depots' and use the new found stone to build beautiful 'dry reclaimed stone walls'.

And the walls will last and last, until the bulldozer craze starts again.


Friday, March 9, 2012

Stone marks the site of The Iceman

Die Steinpyramide am FundortM

A twelve foot high dry stone pyramid now marks the place in Northern Italy near South Tyrol where the famous Ötzt Iceman was first discovered back in 1991


physical appearance of the Iceman
A recent reconstruction of how the Iceman would have looked

Read about 'How the Iceman lived back then'.


and about 


The South Tyrol Museum where the Iceman now resides

Thursday, March 8, 2012

A roll is a roll is roll.




A long long time ago they invented the wheel. It was most likely first made of stone.  And it was not originally invented so they could use it to move other things. They invented the shape just so they could move big stones. And when they got them to the site they would break them up and shape them into building stones..



Wednesday, March 7, 2012

Step Backward, Revert and Undo


One of the most amazing things about doing anything on a computer, be it photo manipulating, number crunching, creative writing, drawing or designing, is that without even thinking about it (and usually forgetting how difficult it used to be, before the days of digital information) we can now 'undo' anything and simply step backwards to any stage of what were doing before (if we need to) in order to 'redo' it.  Sometimes, say if we were carried away and overworked a design altogether, we can merely 'revert' back to the copy we made before we overdid it.



The beauty of stacking stones dry laid is that it allows pretty much the same thing. 


There isn't any glue to be scraped off. No cement to wash off. No hardened mortar to chisel away, if perchance what you're building needs to be taken down and redone. No metal bolts to un-weld. No ingredients all melted into an inseparable mess.


There is no loss or waste of material. No forgetting what you were working with, or on. No missing connections. No disconnections. No stages or levels you can't return to. No evaporating, disappearing act. No intangibles to try to find or remember. 


There's none of this 'nothing to show for yourself' stuff after you're done walling or when you're undoing walling, no nothing to return to nonsense. There are no dry stone non sequiturs. You can go forward or backwards smoothly. There are no lost files. No one to say you can't go back. If you do jump too far ahead or make a mistake, you can simply backtrack in logical connected steps.


A dry stone wall is incredibly connected, even in all its disconnectedness. 

Tuesday, March 6, 2012

Andrew Currie's Work part 2


The colourful patterned asymmetry of the flora combines with the random design of Andrew's stonework.  To build a wall like this is requires flair and controlled abandon.


Andrew's wall has none of the busy look one might expect from using such a variety of shapes and sizes. He carefully shapes and nestles the stones so that they not only fit snuggly and structurally, they also have a satisfying spontaneity. Even though bigger stones are placed above smaller ones and they are not all positioned along the horizontal, he creates both a highly functional and very pleasing looking structure.

See previous post for the story of this wall.

Monday, March 5, 2012

Andrew Currie




Andrew Currie is a 60 year old Scottish dry stone waller and stone mason who lives on a horse farm with his wife Rebecca Currie, raising a breed called 'Canadians' on Salt Spring Island in British Columbia, his home since 1979. He received much of his training working on the family farm in Argyle Scotland where Andrew and his brother used to help their father "gap" , making repairs to the dry stone walls which had been damaged, primarily by vehicles

I had been taken to see his walls during a trip I made to BC  teaching DSWAC workshops at Glendale Gardens in Victoria. I asked Andrew about the beautiful wall he built at the south end of Salt Spring Island near Beaver Point on Reynolds Road.


"We started that in 2000 and had it finished  before the end of the following year . I remember we were three quarters through it when the big earthquake hit Seattle, our cups of tea were jiggling, and we said , What the hell? We'd felt Shakers before but nothing like that"

"There were 50 tons of cap stones at least on that wall, and how long was it? Oh God, it must have been at least 250 feet long and consumed over 400 tons of stone."
Andrew explained that the footings were all stone chipped base, one foot deep, dug down to the hard pan. No material was purchased or brought to the island for the massive project ; all the stone was found on the 120 acre property. The finished wall contains huge boulders,  many of which had to be split with feather and wedges, or 'gone to' with a stone axe and  round granite rocks and lovely squarish chunks of sandstone.

"We used any stone, really. I call it using the 'stone of opportunity' . We used the tractor to move it all, and we used everything we found, and we needed  a lot for hearting. It's a pain in the ass to have to make hearting stone, but it is the most important part of the wall."
"Hearting is often the left over stuff  after a stone has been shaped, it is used for packing the inside of the wall, and slices of hearting actually had to be made he recalls. The wall itself is 7 foot 6 inches  tall and winds its way through a beautiful garden property. It is rewarding to study closely as the lengthy wall contains many interesting features."

"Butterflies! Yes, we'd split granite and it looked so beautiful. Holy crow, we'd say, don't  they look like butterflies. So we decided to build the winged shapes into the wall. Doing it structurally of course. We added windows, a niche here and there, flowers and whatever came to our imaginations. "

Andy went on to say that his clients were incredible. It seems Andrew was allowed to let his hands and his creativity take flight, quite literally.

Sunday, March 4, 2012

Thinking under water



Some time ago, while working on a dry stone wall project at a cottage up in Port Carling Ontario I experimented with building a free standing stone arch under water.  I gathered about a dozen suitable stones along the sandy shore bottom. With the help of two other colleagues we struggled to balance the rocks under the water. Holding the stones  (and our breath) we tried different configurations to see if we could fit the semi-weightless stones into an arch.


After several failed attempts we managed to build a small 4 foot arch on the sandy lake bottom about five feet below the surface.

Inexpensive underwater digital cameras were not as common back then so the only shots we could take were from above, and because of refraction the images were foreshortened.

Immediately after we completed it, a small perch swam under the arch and hovered there and didn't seem to be concerned about how close we were. He ended up being in every one of the our photos of the underwater arch. We joked that the fish probably had always wanted to live in tank where he could swim through one of those phony plastic aquarium arches all day, and so in a way, his fishy wish had come true.

This underwater 'wet stone' sculpture would have been just a neat  balancing act had it not been for the fish who imparted an element of life into it.


Underwater Sculpture by Jason deCaires Taylor

Carving cement instead of stone (and supervising cranes while in full scuba gear to create an artificial reef gallery submerged below the surface of the Caribbean Sea), Jason deCaires has dived into a whole new art form where his unusual sculptures come alive too, as coral and other sea life transform his works, revealing deeper levels of beauty and significance.


Saturday, March 3, 2012

Diagonal Gravity


Unlike many other types of construction, we build dry stone walls based on the fact that gravity pulls straight down. If it pulled diagonally there would be a problem.  Glues, bolts, wire, screws, cement, clamps and cables hold things together whether gravity pulls up, down, sideways or diagonally. Gravity is not a factor in how they hold things together, that is until these fastening devices fail and cease to work any more.  Luckily for us wallers, gravity always pulls downward so that well built walls pretty much work all the time.

Friday, March 2, 2012

Avian Theme


We sent in a design last week for a new sculpture for the Haliburton Sculpture Forest. Canadian artists were invited to submit proposals for more works of art to be installed in Glebe Park in the village of Haliburton, Ontario. The theme that has been suggested is 'Avian Fauna - Birds of the Haliburton Highlands' 


The committee responsible for this initiative was looking for a work of artistic/design excellence and durability that suits the natural surroundings of the forest and addresses the theme of birds. Appropriately we designed a dry stone bird's nest containing two eggs decorated with a kind of mosaic stained glass motif. The eggs will be a foot and a half in diameter ovoid shapes consisting of a skeletal framework in metal which will be secured through the dry stone structure into a floating concrete pad six inches thick.
 

Chris Montgomery a jeweler and stained glass artist will be collaborating with me on this project.

The building material I have chosen is a local stone from a quarry near Minden. It is a lovely stratified granite material that comes in many beautiful colours. The nest will be a permanent installation built of random shapes and sizes of stones configured together in a kind of basket design.


The stone we will be using looks like this. Perhaps not what most birds would choose to build with but then our nest has to last much longer.


Wednesday, February 29, 2012

So has anyone asked. "But what do the Rocks want to do with their lives"


I suspect the stuff of rocks is more interested in getting into long-lasting walls than getting into computers

Tuesday, February 28, 2012

Fractalizing


Leftover fragments from large stones which are used for making full scale walls and buildings were gathered by this waller and made into miniature walls and buildings. Another form of fractalization, (if that's a word)

BBC News - Art imitates life for stonemason http://bbc.in/AAeF95

I wonder if the wee shards left over from making these miniatures could be gathered and made into even smaller walls?

Monday, February 27, 2012

A keen new Canadian waller.



John Bland is a graduate of the Heritage Masonry course at Algonquin College in Perth Ontario where John Scott (a consultant with the DSWAC) has been the chief instructor. After gaining essential walling skills at this renown Canadian institute he attended a couple Canadian workshops, one being at our 2011 Rocktoberfest  in Caledon Ontario. With these hands on experiences, just a little less than year ago, he began work on this wall in Quebec. 





It's interesting to see the calibre of workmanship John displays and note that this is the result of good training, and obviously an enthusiastic response to the examples he has seen and the possibilities there is for walling in Canada, as well as his openness to participating in walling events here and a dedication to personally applying his skills at getting better. These are all aspects of Canadian walling which we as organization have been encouraging from our inception in Canada more than 9 years ago, and not in fact the product of any particular certification scheme.



John Bland is working on a wall for his parents in the west island of Montreal.  It's going to be an 80 foot long wall with a gate in the middle. His parents gave him the green light to build 'something outrageous' that incorporated everything he had learned, and had told him they were not in a hurry. 





"Thank god," He added in a recent letter to me.
"I started the project last march working only on weekends. I thought I would be able to get it done by winter that way. By mid summer I saw that my time estimate was way off. The project eventually consumed me.  In October I quit my job to try and put a satisfying dent in it before winter came. I managed to get one section about 80 percent finished." 



The stone is Covey Hill sandstone from a quarry called Ducharme. It comes from the eastern townships of Quebec. There are two colors. A dark blue which he uses for the cheek ends, copes and jumpers and a grey for the runners and snecks. 



"When the wall gets wet in the rain the colors really come out."

John says building is tricky. When he gets an idea in his head he tries hard to make it come alive. He admits to being a little obsessive compulsive. And realizes that this is both a good and a bad thing. 


"My work looks good but it takes a while for me to be satisfied. It's mostly John Scott's fault ha ha. He taught me all these rules for stone bonding and I think I may have taken him a little too seriously."



He goes on to say that he needs to learn more about what's okay and what's not okay in terms of each stones amount of depth into the wall. 



"I ended up 3/4 'throughing' everything as well as using through stones every meter. There is only one tracer I put in purposely just to see what might happen.. It's more towards the top of the wall In case I need to do a repair.  When both sides of the wall are complete I'm going to ask the city if I can do an arch going over the entrance way. Well see..  I still have a lot to learn. 


People pass by all the time and talk to me like I'm some kind of pro dry stone waller. I tell them I'm a beginner and I don't really know what I'm doing ha ha. More workshops!  " 


Sunday, February 26, 2012

The New iStone



This handy iStone comes with great new apps, including 'Shazam for Rocks', for accurate on-site rock identification. Other apps include a 'Phony Stones' detector and 'Weathering' to give you up-to-date stone weathering information.





Saturday, February 25, 2012

Where there is a wall, there is a weigh.

Photo and wall by Eric Landman


Walls are heavy things. They weigh about a ton for every 3 running feet of four foot high wall you are going to build. Walls made of basalt weigh about 180 pounds per cubic foot. Granite and limestone weigh in at around 170 pounds a cubic foot. Limestone is around 160. It's all heavy stuff. The point is that most stone material is heavier than wood, plastic and even bricks and concrete and most man made materials except those made of metal.

Here is a good link for determining the weights of materials.

http://www.reade.com/resources/reference-charts-particle-property-briefings/89-weight-per-cubic-foot-and-specific-gravity

Weight is a good thing. There's no good complaining about how heavy stones are. They are all about weight. That's what makes them work. To try to skimp on the amount of stone you will use to build a wall is a silly idea. It would be like buying a ladder that is too short for the job.


Friday, February 24, 2012

Tolerances are a virtue




The art of dry stone walling requires knowing the tolerance level of the stones you are using. 
If you impose a 'zero level' of tolerance on a stone material you create an uninteresting wall.  

Stones offer us a lot of opportunity to put them in the wall in interesting ways, not just structural ways, and not always exactly "by the book". Stones are individuals and they are fundamentally very tolerant.  If you refuse to work with their tolerances, or insist on minimizing them, you are not doing the stone or your wall any favours. You will have a minimally interesting wall and while you might impress your colleagues with your abilities to make the stonework look like block work, there is really no need to do so. 

The trick is knowing and maintaining tolerances and working with the idiosyncrasies of the stones rather than trying to be in control all the time and shaping the daylights out them.


Andy Goldsworthy said that complete control can be the death of a work.





Thursday, February 23, 2012

Stone Cold


The stone was covered with tarps which helped keep the snow off, but not the cold.


Eric and Jordan and I worked in the cold on Tuesday but discussed warm memories and retold funny stories.


It seems to me that stone ( limestone at least ) cuts differently when it's frozen. It's more unpredictable, and tends to scallop more, and break in curves, rather than straight planes. Has anyone any thoughts on why this might be? I would have thought stone would split better ( like fire wood does when it is frozen).


Another challenge working with cold frozen stone is making sure all the ice and frozen mud is chiseled off the surfaces of the stones before they are laid in the wall. This can be almost more difficult than shaping the stone itself.

Wednesday, February 22, 2012

Family and Friends Day


Many friends and family of the Landman's gathered at Island Lake in Orangeville Ontario on Family Day February 20th to meet and share a meal outside together and encourage the wallers helping that day to build a special dry stone structure. It was a very festive occasion. The sun was bright and the weather was unusually mild. Along with all these supporters Jordan Mason, Ryan Stannought,  Menno Braam, Evan Oxland, Akira Inman,  Scott Dykstra and a number of other wallers were there participating in the building of this memorial dry stone wall for Eric's wife Kerry. 

The tree pattern is is starting to take shape. Eric estimates this 20  foot long 10 foot high wall will take another 3 weeks to complete. (Doug Bell, Josh Graham, Sean Donnelly and Dean McLellan showed up earlier in the week to help with this project also.) 




Eric and Ryan Stananought came up with this clever 'tree-wall' concept which Ryan then did a rendering of. 

Tuesday, February 21, 2012

Coastal Crumble




Much of the coastal rock along the northern shore of California is a very low grade sandstone.
It's amazing California hasn't just disintegrated into the Pacific Ocean by now.
You can just pick away at it slowly like an uninteresting desert.
This is not a very good stone to build walls with.
There is a point where a pile of inferior stone ceases to be stone at all and becomes more like apple crumble.


Monday, February 20, 2012

Stuck in the middle.





John finds out if the inside of the bake oven we're building is a good sound chamber. 

Sunday, February 19, 2012

Long houses go a long way back in Canada

 The DSWAC built reproduction ancient boat-roofed house in 2005 
based on book by Canadian writer Farley Mowat
How some sixth-century British 
settlers could save the 
day for Canada
FARLEY MOWAT
From Saturday's Globe and MailPublished 
Last updated 



Canada's North has never been at greater risk. Treasure seekers flying U.S., Russian and Danish flags are energetically disputing our claims to sovereignty and we can be sure that China, India and doubtless others are not far behind.

This week, the Canadian Forces launched Arctic Ram, the “biggest and most complex exercise” ever mounted in the Far North, to “reacquire winter soldier skills.” The army says, “We need to be able to shoot, move and communicate” in harsh conditions.

Flexing our northern muscle is fine, but we need to make use of every weapon we have to protect our Arctic border.

Non-aboriginal claims to sovereignty in North America have been based mostly on exploration and occupancy by Europeans in the past millennium. Although our leaders ought to be making a case for Canada's possession on this basis, little has been done despite convincing evidence of very early “discovery” and settlement by visitors from the British Isles as early as the sixth century.

For three-quarters of a century, I have been investigating early European ventures to what is now Canadian territory and have published two comprehensive studies on the subject: Westviking: The ancient Norse in Greenland and North America (1965) and The Farfarers: Before the Norse(1998). They demonstrate that in all probability the Norse (currently the first choice as discoverers of Canada) were, in fact, relative latecomers.

However, those charged with defending Canada's claims to northern sovereignty seem to have resolutely ignored this possibility in favour of accepting the claim that the Norse were the first discoverers of our country.


They are doing this in spite of much new evidence. Some of this is coming from the Canadian Museum of Civilization, one of whose archeologists, Patricia Sutherland, has been digging ancient habitation sites on Baffin Island and Labrador. She has found many prehistoric artifacts with a mix of aboriginal and European characteristics. And although radioactive dates cluster around the arrival of the Norse circa 1000 AD, some are several centuries earlier.


Among her finds are yarns and cloth made not from goat or sheep fleece, as would have been the case had they come from Europe or Greenland as trade goods, but from wild animals including Arctic hare and white fox, which are indigenous to Canada. The most probable explanation is that they were produced in situ, either by European women living there or native women who learned their techniques.


There are many other indications of a relatively intense and long-lived European presence. Artifacts found near Dr. Sutherland's Baffin Island sites include such signature objects as tally sticks (widely used in ancient Europe), whetstones of early European pattern, bone and wooden figurines dressed in early European style (one with a cross carved on its chest) and stone structures of European character. One ruin protected the fur of a house rat not native to North America but a frequent hitchhiker on ships from Europe.


However, perhaps the strongest evidence of a significant and enduring early European presence lies in more than 100 low-walled (about a metre high), boat-shaped enclosures scattered singly and in small groups across Canada's Eastern Arctic.


Many historians who reject the possibility of a European presence in the region before the arrival of the Norse refer to these peculiar enclosures as native-built “longhouses,” although they bear little similarity to the classic longhouse of archeology. For one thing, they show no evidence of ever having had a roof. So what were they for? Some have concluded that they weren't for human habitation but may have served some mysterious ceremonial purpose.


Archeologist Thomas E. Lee, also of the Museum of Civilization, excavated several longhouses in the sixties and seventies, and was certain that they were habitations even though he couldn't determine how they might have been roofed.


He died before he could find the answer, but, as I have detailed in The Farfarers, I followed his lead and discovered that these longhouses are virtually identical in plan, size and materials to buildings once numerous in northern Britain, especially Orkney and Shetland., some still inhabited, and which were roofed by overturning large boats on the stone walls. Originally, these boats were sheathed with sea-mammal hides (especially walrus and seal), which, being semi-translucent, admitted light and were almost perfectly waterproof.


The houses are just part of a significant body of evidence that testifies to a strong European presence in the Canadian Arctic as early as the sixth century – a presence that probably still endures in people of mixed heritage and culture in the region.


This evidence continues to accrue and, with a little more time (and digging), it will soon be apparent that Canada's claim to sovereignty was established well over 1,000 years ago. Once this fact is recognized in international law, we won't need to establish it by force of arms