Thursday, July 20, 2017
One of the students taking the bridge building course I finished teaching at the Haliburton School of Art and Design brought his grandchildren back to see the completed bridge he and the nine other students built there last week.
When I took Mary back to Haliburton to see the bridge, we arrived to the sight of the kids jumping and crawling all over it, pretending they were in a Harry Potter adventure. It did indeed seem like a magic bridge. The week before there was nothing there!
Wednesday, July 19, 2017
My client wrote to say someone who saw a photo of it asked if the thing moved when you stood on it.
Good idea, but the answer is no.
Mark said "Probably in a couple hundred years from now people will discover it and wonder what it is.
The lady he was talking to said "I don't think you have to wait that long."
Monday, July 17, 2017
This 19 foot diameter 'earth and stone' composition combines vertically laid random bedrock limestone surrounding a slanted circular platform of sedum mat material, to create what is called the 'Tilted Garden'. I feel this piece is a significant development from just walling, venturing even more into the realm of 'land art' . In a way the true 'landscape artist’ isn’t limited just to the canvas or a sketch book. He or she can bring the actual elements of the land into the composition literally. Hopefully Tilted Garden is an invitation to see stone and art ( and gardening) from yet a different slant.
More photos on the building of this piece to follow
Sunday, July 16, 2017
We used landscaper’s spray paint to scribe a 9 foot 6 inch radius circle where the installation was to be built with a line on a north south axis.
Our guy running the large backhoe really knew his stuff when it came to cutting the angle we wanted.
The stone supply, a large very random pile of limestone bedrock, was the result of what the backhoe had uncovered the year before digging a foundation for a new art gallery building on the property.
For good drainage we filled 3/4 sharp clear gravel in along the lowest part of the crescent shape depression up to the height of the base that we would be building off of on that side.
There's what our preliminary excavation looked like from the gallery balcony.
Here's me trying to get my head round how we were going to build this thing.
Saturday, July 15, 2017
We were working all last week doing a dry stone installation in the Perth Ontario area, based on a Sketchup design I showed the client several months ago. I did this sand box maquette recently to get a better feel for the slanted platform shape I hoped to create. Models really help get a feel for scale and perspective. The resulting full size sculpture we completed just yesterday, happily created the intriguing sinking effect I hoped it would.
More on this installation tomorrow.
Friday, July 14, 2017
Yesterday was my first visit back to Perth Bridge since we were there building it . It's also after that great June flood where the river overflowed. But everything looked good. Nothing out of the ordinary. Or rather, everything looks 'extraordinary' !
Thursday, July 13, 2017
Wednesday, July 12, 2017
A piece by Irish artist and dry stone waller Sunny Wieler http://www.stoneart.ie is installed on the client s property where we are working presently. It's an intriguing freestanding mosaic made with cut granite and broken mirrors. It has a commanding view of field where the art installation is that we have been commissioned to create.
It was a bit of a surprise and definitely a coincidence to see Sunny's work here too. Our patron definitely has good taste.
Sunday, July 9, 2017
DSWAC in conjunction with Fleming College - Haliburton School of Art + Design, completed a week long course on teaching students how to build a dry stone bridge.
A small creek in a public park in the municipality Dysart Et Al was chosen and approved for the site where the permanent foot bridge was to be built.
Ten students worked together with me, their instructor, on this ambitious project.
After the foundations were dug and built up with stone (and the undergrowth was cut back) an 8 foot wooden former was set in place.
The first rows of voussoirs were laid over the thick springers.
18 tons of beautiful stone material was provided by Vince Hammond Aggregate near Minden Ontario
On the second day, the water in the creek rose unusually high, due to the sudden release of a month long heavy rainfall backup in a reservoir upstream.
The water upstream had to be slowed down with plywood over a culvert or the former might have been washed away.
On the third day the class went on a field trip to gather 4 more tons of voussoir-shaped stones from the quarry.
Tight fitting shims in combination with closely aligned arch stones are essential to create the even compression and necessary friction to hold all the stones in place when the form is taken out.
There is no lack of excitement watching the form come out and the arched bridge being born
Iris got the first underside barrel vault shot.
Work still goes on to complete the bridge on the last day
Including setting the parapet stones and the cobbled walking surface.
( Note the train and the jet in the background, an iconic triad of ways to cross land, air, and water. )
There's a job for everyone on a bridge.
We decided to call it the Canada Sesquicentennial Bridge.
Happy birthday Canada.
Well done students.