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Wall/Fence Specs

What it seems to be.

I


Yesterday's image was a photo of a 'seamless tile' stone texture. In other words, the image is manipulated so that it can be used in multiples of itself to create a continuous surface, without it appearing to be a repeating pattern. In this case the surface of cracked rock has a random feel without any sense of it being multiples of the same thing

However, the further away you are from the screen (and the smaller the tiles become ), the more obvious it is that you are seeing a repeating pattern. 

Conclusion?

There is a correlation here between standing back from the thing (vision? perspective? insight? years of experience?), and seeing the possibility of recognizing some sort of controlled pattern, even though others, less patient or maybe less skilled, may only see a random unstructured mix.

This is perhaps an explanation of what we do as wallers. We see the pattern of the wall, within what seems to be at first, just a random pile of stones.

Can you see it?

There is an integral pattern contained in this rock formation photo. Do you see what it is ?

New Bookends

Our dry stone section of curved 'test' wall, which was built between two large redwoods some years ago, has received treemendous feedback. It was built as an experiment to see if an entire circle, with a similar size arc, built in this upright style, would work in a future installation at the Gualala Art Center. The wall and the concept looks and works better than we anticipated.

The only problem is that the tree on the right moves a bit too much in high winds,hence a few fallen stones have to be put back each year. 

The fix is easy. With the help of a large extended arm forklift (a telehandler Gradall) we've replaced the tall tree 'bookend' scenario with two heavy basalt columns instead. The process of re-situating of the test wall between these new massive bookends now begins. 

We will come back in January to take on the bulk of the task.  The challenge will be to rebuild everything as beautifully and as magically as the first time. This requires our somehow being in the 'stone zone' again. 

How to lose those porta-loos ?

Just because it's a special outdoor event doesn't mean those ugly plastic toilets have to be front-row centre, in fact why  have to look at them at all? A beautiful, dry stone, L-shaped partition wall will keep such unsightly things discretely out of view. 







A section of dry stone wall built tall enough to hide a couple of portable toilets is the perfect answer. Once it's built, it will still continue to be a visually pleasing structure the rest of the year. And when the time comes and it's needed again as an aesthetic bar from the madding crowd and the inevitable 'call of nature' - just say, 'toodle loo' to the loo.

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DSWAC will be holding a dry stone 'porta-partition' wall workshop on the first weekend in June of 2019 at ZimArt outdoor gallery, which happens to be their 20th anniversary celebration opening.

Cost - 200 dollars, includes lunches, drinks, HST and printed material. Limited to ten students.

Visit

Canada's Premier Zimbabwean Stone Sculpture Gallery

Founded 2000

www.zimart.ca

705.939.6144

My next variation on the sturdy leaning 'picket fence' stone wall concept. ©

My newest application of the sturdy leaning 'picket fence' stone wall concept we built on the west coast, is based on a photo I saw of super fit bathers on the beach demonstrating a group yoga 'exercise' somewhere near the ocean too. I'm thinking that stones could be 'fit' in a similar configuration, to make a very pleasing variation on our latest installation we recently built in California.  

Overlooking the scenery

We’re home now from California.

Strangely, the reality of having constructed a dry stone wall right on the Pacific coast hasn't really sunk in yet.

Maybe, over the next few months, my trying to describe to people the beauty of where we were working, I'll be able to grasp the whole thing better myself.  The significance of the experience, the drama, the ‘thereness’ of it all, perhaps will be better realized as I continue to try to look back on the amazing experience it seems we had there. 

Just to think about it - we built a permanent structure inches from a 70 foot cliff overlooking a crashing ocean below. We literally ‘overlooked’ so much of it ( both opposite meanings of the word ) during the two weeks we were mostly concentrating on getting this pretty unusual stone fence built during the time we had allotted to complete the project. 

I wonder now, did others, perhaps a long time before us, building any of the old wooden livestock fences I’ve seen along these coastal regions, also ‘overlook’ the immense import of it all?  Did they stand there in amazement a lot of the time as they were working, or did they mostly work on as usual, as they dug holes for the wooden posts and hammered the rails and nailed the pickets, close to the edge of the sea?

And then I think, what about all the people who have worked building other stone structures in spectacularly beautiful parts of Britain and Ireland ?   We’ve all seen the photos of bridges built over wild tumbling streams  - and beautiful walls jutting out from fantastically magical landscapes - and stoned terraces tracing contours of breathtaking beauty. Can we just assume the people who built these structures were able to appreciate where they were?

Did they all, returning at the end of the day, or the end of the job, say “ Wow, what a seriously cool thing that was ! ”

Did they talk of it years later, recounting, almost reliving for the first time, what a powerful, exceptional experience building in that scenic place back then, was?

I wonder.

The Picket Line

The three amigos. Mark Ricard, Shawn Kelley and me.

Like a fence in the headlights

Thanks to Gwen, who drove some distance to see it, arrived very late, but sent this photo of our lighthouse stone wall, lit only by her headlights.

Returning to the shore with Stones

How many times have you come to the beach and picked up stones to bring home? But have you ever brought stones to the beach in order to leave them there? 

These mica schist slabs were brought to and left in this order along a short stretch of coastland by my crew and I last week, and then we returned home, 'stoneless'.

Stones from the desert all lined up to see the ocean

Is it a wall or a fence?

Is it a wall or a fence ?

It began as a concept to replace the existing fence with something that would fit into the vernacular flavour of the local landscape and specifically make reference to the various idiomatic split rail fences seen along the Northern California coastline. Instead of using old growth hand split redwood, we used older growth mica schist hand split flagstone material from the Mojave desert. The four foot (plus)slabs are stood upright back to back along the entrance border of the Point Arena Lighthouse, looking out over the Pacific Ocean.

Their spacing, their verticality and irregular heights give the impression of wooden picket fencing from a distance, but as you approach closer, the fence structure begins to widen in appearance and looks more a thick jagged stone wall. The dynamic upright  surging of the cliff’s seen here on the point (and along the Mendocino coast) are a geological feature that the stone fence/wall is also designed to mimic. Shale boulders from Annapolis are spaced every ten feet to brace the upright slabs. The gate boulders and middle pier boulder are bordered with pebble motif compliments of Kevin Carman talented artist mason musician and poet working out of Art City in Ventura  Ca. The pebbles represent the crashing of the waves against the tall cliffs.

The wall/fence/installation uses no manufactured fasteners . Instead the stones are lodged together tightly using sandstone spacers notched into one side of every vertical mica schist slab. The spacers are wedged into the slabs along the same horizontal line so as to appear like a continuous fence rail when viewed directly from the side.

Twenty-four tons of material stretches more than 90 feet across the entrance to the lighthouse property. The backdrop of the lighthouse and vista of ocean shore provides an unparalleled setting for this totally new wall design. Tourists standing back to take photos now kneel down to include the ‘fence’ in the picture.

Buenos Notches

The upright slabs in this latest project required mucho notches to be cut in them in order to slot and wedge the stone spacers between them to produce the upright redwood picket fence look we were trying recreate in stone.

Dry Zoned Masonry

Stone Smoke Sun and Sea

The shadow knows

The familiar late afternoon shadow of a California redwood picket fence - or maybe it’s not. 

Tiny Hopes

It looked like he was going to jump, but he actually had to climb a tiny way up the tower to see if there was a glimmer of hope on the horizon.

Fencing along the coast

This redwood picket fence is being built by Kent Cochran of lighthousemusicians.com. He’s doing a great job. The posts as are the pickets (which are to be nailed on later) are all hand split with wedges. Our fence up the coastal road will have a similar look, but we’re not using wood.

New stone circle.

I helped plant a new standing stone circle on a well known point of land that juts out into the Pacific Ocean. The old one was there in our imagination, we just had to agree on a suitable site and then cultivate the soil and dig in the special 'henge' stones. And now all there is to do is wait. We anticipate they will grow to be quite tall within a few thousand years .

The Daily Post

Our next stone project involves reinterpreting the redwood pickets seen along the Northern California Coast near Sea Ranch. These idiomatic containment fences capture the rustic individuality of rural Californian living. The pickets, along with the posts, create daily interest as we drive back and forth in the varieties of morning and sunset light. They offer moments of reflection too that are as illuminating as anything you might find in print . My read on it is - there’s likely a new creative opportunity to explore a geological connection . Stay tuned. 

Our inspiration.

Our inspiration, our ideals and our courage, come from the land, the soil, the rocks, the trees, each other. 
The flag can be anything.

Holes in the walls

If you look long enough you will find them everywhere.

But will you find your way back.